Another similarity is the element of being visually drawn to the subject but in this case, instead of people in current events, it was the history of objects that attracted us. That lack of awkwardness on our end is something that our clients always seem to respond well to. Can you tell us more about the project and the inspiration behind it? In our society that is flooded with sexual imagery, it is a peculiar thing that we still feel slightly uncomfortable when we encounter erotically charged artworks or art that deals with the subject of sexuality. When and how you came up to the idea to start taking photographs of couples during their sexual acts? At the same time, the lid of the secretive nature of sexuality is being blown wide open.
We always have a very detailed dialogue with our clients beforehand in order to best figure how we can realize what they envision for their shoot, to that extent it becomes a four way collaborative endeavor and can be abstract, explicit, or any points in between. There is something noble in the endeavors of these people and as image makers, we are naturally drawn to that. Look at vacations involving landmarks, no longer does a beautiful photograph of the Eiffel Tower suffice thousands of much better images can be found with an image search instead, we use these places as backdrops for the narrative of our lives in the form of a selfie. What does this initiative bring and how does it relate to your philosophy? The irony is, they go to great lengths to shame real sexuality intentionally or as collateral damage from profit but it is they who should be ashamed, ashamed of their manipulation of the concept of sexuality for selfish reasons. Our first shoot was with a couple who were also collaborative artists and that really set the tone. When we started dating we threw around a bunch of ideas for a collaboration. These educators, coaches, creatives, activists, and advocates are the spearhead of this paradigm shift and we wanted a way to share their work with our audience. We have learned so much in the past 5 years, we are just artists, but we read, and study and most importantly, reach out to people, and we have learned so much. For example, say one of our viewers ideas of homosexuality are in the process of evolving toward acceptance. Ed Templeton from Teenager Kissers In , Ed Templeton put together a collection of kissing photos he took over the years, entitled Teenage Kissers, a thematic follow up to his iconic Teenager Smokers. Dedicated to documenting her teenage world, she often turns her camera onto the love lives of her friends, capturing the free, young and hedonistic lives of suburban teens. Our abstractions are all in camera manipulations so the task was, utilizing the same elements in video with enough quality to be projected large. In our personal work, we lean more towards abstraction. Your choice of subject is quite original. Was it an awkward experience for you at first and how do couples react to your presence? By choosing to work in a more abstract manner Constance and Eric have found a way to transgress the explicitness of the act itself and avoid pornographic connotations, focusing on the intimacy and sensuality of lovemaking acts and showing universal aspects of personal, intimate experiences. As with our Sexuality Superheroes project, it was a way to create images in another style, this time still life, while keeping our focus on our passion. With the volume of imagery available online, viewers are getting more savvy, they are exposed to more images which in turn, ends up shaping their own preferences and, they are more capable of spotting hollow tropes miles away. These photos document the intimate and mundane aspects love, sex and death , contextualising the moments that make up a relationship into the bigger picture of life. Often in nature and framed in warm light and soft focus shots, her work shows a romantic side to those teenage late night trysts in your local park. In our society that is flooded with sexual imagery, it is a peculiar thing that we still feel slightly uncomfortable when we encounter erotically charged artworks or art that deals with the subject of sexuality. It started out as strictly an art project but as we shot and showed more, interest started to generate about commissioning us for private shoots and our business basically found us. Can you tell us more about the project and the inspiration behind it? We see both the gritty and tender moments in a carefree, uncontrived style. The work of photography duo Constance and Eric revolves around their sex-positive philosophy, promotion of the ideas of body acceptance and discovery of new parameters of sexiness. I thought your questions were leading to something like this.
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